About

Polina Osen was born in Novosibirsk, Russia, and grew up in the American South. She is an alum of the University of Southern California School of Cinematic Arts, the Department of American Studies at Columbia University, and the photojournalism program at the University of Missouri School of Journalism. Her narrative fiction filmmaking practice negotiates ethical representation in cinematic depictions of the past. In the documentary context, she makes observational essay films about grief and can often be found trying to keep her boom pole out of the creek. Prior to filmmaking, her last name was Yamshchikov and she was a professional documentary photojournalist and portraitist in NYC.

Work

Polina has just finished directing the short film Dosiki, which she wrote based on her uncle’s experiences on the job cleaning up the explosion at Chernobyl in 1986. The film is currently in post-production and is slated to be finished in the spring. In 2021, she directed the short film Last Day, a surreal meditation on the life and death of a Soviet immigrant, which premiered at the HollyShorts Film Festival in LA. Polina is currently at work writing a feature about abortion, capitalism and the wild in Puritan New England, and composing a series of essay documentary shorts about grief and self-knowledge called A Formal Feeling.